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Paint, Unpaint
© » KADIST

Kota Ezawa

Film & Video (Film & Video)

Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock. At first glance, due to the oversimplified silhouettes Ezawa employs, the connection between his animation and Namuth’s film may not be obvious. However, when seen side by side, Ezawa’s piece is a faithful reproduction of the scene—up until a point in which his sequence begins playing in reverse, effectively unpainting every brushstroke.

Untitled (Beheading)
© » KADIST

Mike Cloud

Painting (Painting)

In his series Hanging and Beheading Paintings Mike Cloud speaks to the suffering of a series of named (and occasionally unnamed) individuals, addressing their trauma within the language of abstraction. They offer the viewer an aesthetic account of individuality, death, and the empathic space of communion in absence via avant-garde portraiture, unbound by the rules of anatomy or even representation, but instead by purely expressive compositional and aesthetic goals. Untitled (Beheading) embraces the individual subjectivities of notable and mundane contemporaries — from pop stars to serial killers — in cryptic ways, connected only by the physical circumstances of their deaths.

Ho! Ho! Ho! Merry Christmas: Battle of Easel Point - Memorial Project Okinawa
© » KADIST

Jun Nguyen-Hatsushiba

Film & Video (Film & Video)

Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001. The title already implies the cultural complexities about to be ironically unravelled: Ho Chi Minh is parodied and Okinawa (where this was filmed) was a battle site in Japan during World War II which then became an American training base during the Vietnam War. To a remix of James Bond movie tracks composed by Quoc Bao, no less than thirty divers in wet suits and full gear advance against the water resistance armed with cartridges of color.

Dancing Free I
© » KADIST

Jarrett Key

Painting (Painting)

Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance. Dancing Free I , painted in wet cement, like a fresco, is part of a current series of paintings titled Leaving the City , which depicts Black people they know in lush, pastoral landscapes. Raised in rural Alabama, Key’s series grew out of a few experiments conducted with visitors to their studio.

Los Abuelos
© » KADIST

Manuel Solano

Painting (Painting)

Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.

Untitled
© » KADIST

James Collins

Painting (Painting)

These two large format untitled paintings by James Collins feature the artist’s hallmark technique, which transforms abstraction into an optical illusion that creates dimension, space, and mass. These particular paintings expand on the optical illusion referred to as a moiré pattern. Moiré (or fringe patterns as they are also called) are known in mathematics, physics, and art as a type of interference pattern that can be produced when a partially opaque ruled pattern with transparent gaps is overlaid on another similar pattern.

The Swimmer
© » KADIST

Jeffry Mitchell

Sculpture (Sculpture)

Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly. The stocky figure lets his arm drop to his side, towel dripping on the ground. Mitchell’s umber-toned glaze makes everything look earthy and wet, primordial and warm.

2016/1963
© » KADIST

Titus Kaphar

Painting (Painting)

Although the objects depicted in Titus Kaphar’s diptych 2016/1963 might not be immediately recognizable, the work’s title and the inscriptions ‘Alabama 1963’ and ‘North Dakota 2016’ reveal their use as tools of brutal force. The work with the inscription ‘Alabama 1963’ is a painting of the nozzle of a high-pressure water jet that the Birmingham Police used against black protesters, including children, during a non-violent campaign against racial segregation led by Martin Luther King JR. during the civil rights movement. The second painting depicts the nozzles used against protestors that in 2016 opposed the plans to build the Dakota Access pipeline near the Standing Rock Indian Reservation, many of whom were seriously hurt and left soaking wet during freezing temperatures.

Static Field I
© » KADIST

Kamau Amu Patton

Painting (Painting)

Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media. The image we see on the canvas was created by pointing a camera into its output—a gallery wall—and subsequently generating a feedback loop. Patton then records the distorted image, digitizes it and prints the file onto unprimed canvas with the help of a machine.

Anti-Collage (Anda Rottenberg)
© » KADIST

Goshka Macuga

Photography (Photography)

In this anti-collage, which comes from a series of 4, Macuga takes a photo she found in the archives of Zacheta National Gallery in Warsaw. The series was made on the occasion of her exhibition there in 2011. In 2000, Harald Szeemann curated an exhibition at Zacheta called ‘Beware of Exiting your Dreams: You May Find Yourself in Somebody Else’s.’ The exhibition provoked a violent response as a result of his inclusion of Maurizio Cattelan’s La nona ora , where the figure of the Pope is struck down by a meteor.

Two Eyes Two Mouth
© » KADIST

Erika Verzutti

Painting (Painting)

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.

La cabeza mató a todos
© » KADIST

Beatriz Santiago Muñoz

Film & Video (Film & Video)

La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico. The title refers to how a shooting star was (in local mythology) interpreted as a head without a body, crossing the sky, signaling the arrival of chaos and destruction. The actor in the video, Michelle Nonó, is in touch with native plants—she’s a medicinal botanist but also a cultural activist.

Untitled (Pasta Painting)
© » KADIST

Scott Reeder

Painting (Painting)

Reeder’s works often start with language—and his Pasta Paintings are no different. After the phrase for the title came through his head, the artist set about trying to figure out how to make a mark with pasta. These paintings are the result, made using the pasta as something of a stencil, with the paint being applied after the noodles have been scattered on the painting’s blank surface.

If Revolution is a Sickness
© » KADIST

Diane Severin Nguyen

Photography (Photography)

To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.

Angela Su’s True Calling
© » KADIST

Angela Su

Film & Video (Film & Video)

Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science. Set in Hong Kong, each of the locations draw connections to places commonly tied to dominant disease outbreak narratives, such as a bustling wet market with butchers handling and selling raw meat products and the Hong Kong West Kowloon Railway Station, a cross-boundary transport terminus that sees a high traffic footprint and directly linking Hong Kong’s city center to Mainland destinations without interchange. As the artist travels around the city, she observes systems of surveillance such as police officers patrolling, security cameras, and an encircling helicopter, all playing an important role in managing the population and instating health security.

Bottoms Up
© » KADIST

Christina Quarles

Painting (Painting)

The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen. Bottom’s up is also a pun, a nod to the English toast. Quarles draws on a number of sources of inspiration, including comic book imagery, the influence of which sits alongside elements of her practice informed by life drawing classes.

Breakthrough Sunrise
© » KADIST

Diane Severin Nguyen

Photography (Photography)

To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.

20
© » KADIST

Chris Wiley

Photography (Photography)

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.

11
© » KADIST

Chris Wiley

Photography (Photography)

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.

There are veins in these lands, I
© » KADIST

Rodney McMillian

Painting (Painting)

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point. Calling up the unknown intimacies of these objects, McMillian upends their usual orientation, placing them directly on the wall to serve as paintings, rather than covers. Layering over the repurposed textiles with hardware store paint, McMillian transforms the sheets into canvases, creating abstract landscapes on top of the traces of human bodies intact in the fabric.

City Song of Rug
© » KADIST

Nora Schultz

Installation (Installation)

Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor. Rugs are elements representative of commerce and related to the idea of territory, handicraft and community. In City Sound of Rug, the rugs are used as surfaces upon which prints are manually made.

Map of the universo from El Cerro
© » KADIST

Chemi Rosado-Seijo

Installation (Installation)

Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico. The project was initiated in 2002 by painting the exteriors of residents’ homes different shades of green, paying homage to the way the community has been built in harmony with the topography of the mountains where it stands. Through negotiation and collaboration with community leaders, volunteers, students and residents, over 100 homes have been painted.

A Little Bit More Virtual Than Reality, A Little Bit Warmer than Craziness, A Little Bit Whiter Than Darkness, A Little Bit Longer than A heavy Sigh
© » KADIST

Xiaoyun Chen

Photography (Photography)

The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image. Near his studio, Chen often walks over fallen branches in late autumn and sense their existence. Thus, his placing them in diverse contexts builds a “narrative Ariadne’s thread” where the branches become “the language of things” intertextually cohering his oeuvre.

Blockbuster
© » KADIST

Conrad Ruiz

Painting (Painting)

Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects. He also often works at a very large scale to emphasize a connection to the tradition of history painting. Blockbuster (2011) was, at the time of its creation, the largest watercolor painting he had ever made.

Tropical Vulture
© » KADIST

Miguel Calderon

Film & Video (Film & Video)

Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón. Conversations with a Tropical Vulture is an experimental narrative video, co-directed by both artists, and blends Hollywood glamour and drama with an all-too-real life approach, which creates and inspires a counterpoint of unattainable desire against unbearable actuality. The video, shot on location in Acapulco, utilizes a “lo-fi” aesthetic and playful use of non-professional actors.

Ohne Tittle
© » KADIST

Paul Czerlitzki

Painting (Painting)

In this painting made in 2014, which is part of a series started in 2013, the artist dismantles the traditional painting process. Putting aside any formal intervention, the artist lets the membrane slowly soak up white monochrome paint through a transferring technique before removing it. In some places the structure of the canvas can be seen, while other places of the canvas are purposely blurred to evoke the texture of the material used.

Execution Changes #22
© » KADIST

Julian Hoeber

Painting (Painting)

Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code. The geometric pattern that composes each acrylic-on-panel painting is determined by a preordained ratio of 2 to 3. But even though a formulaic system determines the image’s structure, its surface is full of painterly effects.

Untitled (Boom Box, Double-Sided)
© » KADIST

Mary Ann Aitken

Painting (Painting)

Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance. Known for going against trends, Aitken often favored dimensions, such as the square, that were otherwise considered out of style in contemporary painting. In this double-sided painting, one side depicts the titular boombox set up—a boxy cassette player, flanked by a pair of stereo speakers in front of wood panelling.

Untitled (Diptych)
© » KADIST

Mary Ann Aitken

Painting (Painting)

Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements. The left-side painting is a cacaphonous all over composition of brushstrokes layered in the artist’s signature primary colors. In the same color scheme, the right-side painting portrays a still life with an arrangement of flowers as its focal point, with marks and splatter spilling from the left-side composition into the right.

Untitled (Four-legged figure with three arms)
© » KADIST

Clare Rojas

Painting (Painting)

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.

James Weeks

James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...

Chris Wiley

Johanna Calle

Clare Rojas

Sharif Waked

Sharif Waked is a Palestinian artist who’s work enages with with Islamic culture and history, and its interaction with the Israeli occupation and hegemonic Jewish culture in Palestine...

Shimon Minamikawa

Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...

Mary Ann Aitken

Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...

Diane Severin Nguyen

Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...

Markus Amm

Markus Amm studied graphic design at the Hochschule für Gestaltung in Offenbach, Germany...

Mike Cloud

Artist Mike Cloud builds irregularly shaped canvases and frames into unique sculptural objects...

Rodney McMillian

Curtis Talwst Santiago

Curtis Talwst Santiago is a multimedia artist making work centered on the diasporic experience, transculturalism, and memory...

Chen Shaoxiong

Glenn Ligon

Maaike Schoorel

Based on photographs and domestic environments, Maaike Schoorel’s paintings are charged with an atmosphere of melancholy and loss...

Conrad Ruiz

Conrad Ruiz makes watercolor paintings of fantastic scenes...

Barbara Bloom

Collector Barbara Bloom mixes autobiographical details, fictional narratives, and literary quotes...

Paul Czerlitzki

Born 1986 in Danzig, Pologne Lives and works in Düsseldorf and Paris Paul Czerlitzki’s work takes part in a reflection on painting and its material components...

Eddie Arroyo

Eddie Arroyo is a painter who documents residential and commercial structures that will soon be replaced by new development, chronicling the negotiations of the cultural, social, and economic fabric of a community...

Kadar Brock

Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...

Judy Chicago

Titus Kaphar

Titus Kaphar’s work is often discussed as socially and politically oriented, however, the artist describes it as a series of deeply personal responses to situations, narratives or histories...

Tala Madani

Madani’s paintings have a caricatural quality that suggest a satirical intention...

Manuel Solano

Manuel Solano, who is non-binary and prefers plural pronouns, was an emerging 26-year-old artist when they lost their sight to an HIV-related infection in 2013...

Imran Qureshi

Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting...

Taro Izumi

Taro Izumi was born in 1976 in Nara (Japan)...

Chris Huen Sin-Kan

Chris Huen Sin-Kan (b...

Julian Hoeber

Andrew Ekins

Andrew Ekins’ work frequently deals with waste and recycling, using discarded materials to make something new...

© » LITHUB

this quarter (02/08/2024)

Blood, Sweat, and Paint: Finding the Work Behind the Art ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Viking Blood, Sweat, and Paint: Finding the Work Behind the Art Bianca Bosker Explores the Artistic Practice From the Painter’s Perspective By Bianca Bosker February 8, 2024 Pretty much all the gallerists I talked with would, at some point, lower their voices as if imparting a trade secret and confide that their favorite way to find talented artists was by talking to other artists...

© » MODERN MET PHOTOGRAPHY

this quarter (02/07/2024)

Barbara Cole's Painterly Wet Collodion Photography Home / Photography Photographer Uses 150-Year-Old Photo Technique To Create Painterly Vintage-Looking Portraits By Jessica Stewart on February 7, 2024 Fine art photographer Barbara Cole is known for her artistic underwater photography ...

© » LITHUB

this quarter (02/07/2024)

Between Risk and Control: How Mark Rothko Discovered His Signature Style ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Between Risk and Control: How Mark Rothko Discovered His Signature Style Adam Greenhalgh on the American Abstract Painter's Early Years Via Yale University Press By Adam Greenhalgh February 7, 2024 Featured image: Allie Caulfield via Creative Commons In the summer of 1933, Mark Rothko, who was then still known as Markus Rothkowitz, hitchhiked nearly three thousand miles from New York City to his hometown of Portland, Oregon...

© » THEARTNEWSPER

this quarter (02/06/2024)

Why Anthony van Dyck was summoned to paint a recently deceased noblewoman Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Book Club feature Why Anthony van Dyck was summoned to paint a recently deceased noblewoman This extract from a new book about works in the Dulwich Picture Gallery by Helen Hillyard and Jennifer Scott reveals the story behind the artist's 1663 portrait of Lady Digby Helen Hillyard and Jennifer Scott...

© » LARRY'S LIST

about 4 months ago (12/18/2023)

What the World’s Top Collectors Bought in 2023, From Art Historical Treasures to the Freshest Wet Paint - via ARTnews...

© » DAZED DIGITAL

about 4 months ago (12/18/2023)

Dee Carrion: Getting to know the Dazed 100 make-up artist | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Beauty Dazed 100 2023 Working with everyone from Rico Nasty and Doechii to Tems and Sza, Dee Carrion’s boundary-pushing make-up looks are defiantly non-conformist 18 December 2023 Text Alex Peters Dazed 100: Dee Carrion 10 Dee Carrion ’s passion for make-up is infectious, it spills out from her and you can’t help but get caught up in it...

© » WALLPAPER*

about 4 months ago (12/17/2023)

100 Hooks at JB Blunk estate pays homage to the late artist | Wallpaper Left, hook by Martino Gamper...

© » ARTNET

about 4 months ago (12/16/2023)

The artist takes us through a week in her life...

© » TWOCOATSOFPAINT

about 4 months ago (12/16/2023)

Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...

© » LITHUB

about 4 months ago (12/13/2023)

Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes “The processes of photography were liquid for most of the medium’s history...” via Radius Books By Rebecca Solnit and Meghann Riepenhoff December 13, 2023 Ice, #9316 © Meghann Riepenhoff, from Meghann Riepenhoff: Ice © Radius Books...

© » ART & OBJECT

about 4 months ago (12/12/2023)

Censored Work by Artemisia Gentileschi Is Restored | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » TWOCOATSOFPAINT

about 4 months ago (12/08/2023)

Artist’s Notebook: Elisabeth Condon – Two Coats of Paint Elisabeth Condon, “Tempus Fugit,” installation view at Emerson Dorsch in Miami...

© » ARTLYST

about 4 months ago (12/08/2023)

In the kaleidoscope of hues that paint our world, Pantone, the ultimate authority on colour, has declared 2024 as the year of "Peach Fuzz." The post Pantone Palette Proclamation: Peach Fuzz Takes the Lead for 2024 appeared first on Artlyst ....

© » OBSERVER

about 4 months ago (12/07/2023)

Highlights from Art Basel Miami Beach 2023 | Observer The art world is a cold place; Miami is even colder...

© » ART CENTRON

about 5 months ago (11/14/2023)

Everything You Need To Enjoy Watercolor Painting Home » Everything You Need To Enjoy Watercolor Painting ART & DESIGN Nov 14, 2023 Ξ Leave a comment Everything You Need To Enjoy Watercolor Painting posted by Kelly Schoessling Watercolor painting is a relaxing form of art and an excellent hobby choice...

© » TRIBLIVE

about 6 months ago (10/14/2023)

Sharon Stone says health issues slowed her acting career so she's expressing herself through paint | TribLIVE.com Movies/TV Sharon Stone says health issues slowed her acting career so she's expressing herself through paint Associated Press Saturday, Oct...

© » TRIBLIVE

about 6 months ago (10/09/2023)

Mysteries will haunt the museum at Westmoreland Museum's October Art on Tap | TribLIVE.com Art & Museums Mysteries will haunt the museum at Westmoreland Museum's October Art on Tap Julia Maruca Monday, Oct...

© » BOMB

about 8 months ago (09/01/2023)

BOMB Magazine | Sebastián Silva's Rotting in the Sun Necessary (Required) Cookies that the site cannot function properly without...

© » ART AND CAKE

about 8 months ago (08/14/2023)

Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...

© » ART AND CAKE

about 8 months ago (08/14/2023)

Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...

© » ART AND CAKE

about 8 months ago (08/14/2023)

Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...

© » ARTS EQUATOR

about 30 months ago (10/31/2021)

Podcast 97: Writer Wayne Rée talks about gore and slasher fiction | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 31, 2021 In the second of a two-part episode on the Singapore Writers Festival 2021, Nabilah Said chats with horror writer Wayne Rée about his love of gore and slasher fiction, the supernatural in Southeast Asia, and his opinions on Nickelback...

© » HIGH FRUCTOSE

about 53 months ago (11/30/2019)

Painter Allison Zuckerman’s work pulls from the past and digital present of art history to craft amalgamated depictions of women...

© » ARTS EQUATOR

about 55 months ago (10/03/2019)

Weekly Southeast Asia Radar: First nude painting exhibition in Hanoi; Teater Garasi wins Ibsen scholarship | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar AFP/Tang Chhin Sothy October 3, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

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about 59 months ago (06/04/2019)

Mad women, divine punishment, and “Dionysus” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Arts House Limited June 4, 2019 By Corrie Tan (1,700 words, eight-minute read) This review contains spoilers and/or plot points for The Bacchae, a 2,500-year-old ancient Greek tragedy; Beware of Pity, a 1939 German novel adapted for the stage by the Schaubühne Berlin and Complicité; as well as the final season of the fantasy television epic Game of Thrones, which concluded last month after an eight-year run...

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about 62 months ago (04/01/2019)

SIFA 2019: Top Ten Picks | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: SIFA 2019 April 1, 2019 By Akanksha Raja The 42nd Singapore International Festival of Arts returns this year from 16 May to 2 June 2019...

© » PAINTERS' TABLE

about 62 months ago (03/12/2019)

Sedrick Huckaby was born in 1975 in Fort Worth, Texas...

© » ACAW

about 87 months ago (03/02/2017)

FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South?...

© » ACAW

about 87 months ago (03/02/2017)

FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South?...

© » ARTREPORT

about 100 months ago (01/21/2016)

The Faces Of Art Projects At London Art Fair 2016 – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result The Faces Of Art Projects At London Art Fair 2016 by Sarah Barlondo Jan 24, 2016 in NEWS 0 London Art Fair, Business Design Center...